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foto Robert Sheckley

Narozen v roce 1928. Romany - Immortality, Inc.(1959), Mindswap (1966), Dimension of Miracles (1968), Victim Prime(1987), Minotaur Maze (1990), Draconian New York (1996), Soma Blues (1997) Sbirky povidek - Untouched by Human Hands (1954), Citizen in Space (1955), Pilgrimage to Earth (1957), Notions: Unlimited (1960), Store of Infinity (1960), Shards of Space (1962), The People Trap and Other Pitfalls (1968), Can You Feel Anything When I Do This? (1971), The Robert Sheckley Omnibus (1973) s Robertem Conquestem, The Status Civilization and Notions: Unlimited (1979), The Wonderful World of Robert Sheckley (1979), The People Trap plus Mindswap (1981), The Robot Who Looked Like Me (1982), Is That What People Do? (1984) Autor vice nez 200 povidek, 15 serialu, rady eseju a 4 romanu mimo zanr. Prispel take do serii Star Trek Deep Space Nine.

Born in 1928. Novels - Immortality, Inc.(1959), Mindswap (1966), Dimension of Miracles (1968), Victim Prime(1987), Minotaur Maze (1990), Draconian New York (1996), Soma Blues (1997) Story collenctions - Untouched by Human Hands (1954), Citizen in Space (1955), Pilgrimage to Earth (1957), Notions: Unlimited (1960), Store of Infinity (1960), Shards of Space (1962), The People Trap and Other Pitfalls (1968), Can You Feel Anything When I Do This? (1971), The Robert Sheckley Omnibus (1973) s Robertem Conquestem, The Status Civilization and Notions: Unlimited (1979), The Wonderful World of Robert Sheckley (1979), The People Trap plus Mindswap (1981), The Robot Who Looked Like Me (1982), Is That What People Do? (1984) Author more than 200 stories, 15 series, essays and 4 non-SF novels. He contributed to Star Trek Deep Space Nine series.

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od/from: jXb 5.7.1998, 19:09
otazka: preklad zatim neni k dispozici question: You wrote the novel Bring Me the Head of Prince Charming with a cooperation of Roger Zelazny. Could you explain a creative process of writing the book which is signed by two authors? How was the Head created?
odpoved: preklad neni zatim k dispozici answer: Roger Zelazny and I met in New York and discussed ideas. We came up with the basic notion for PRINCE CHARMING. In my home in Portland, Oregon, I sent Roger my notes on our discussion and he worked these in his home in Santa Fe, New Mexico. He worked them over and put them into an outline. (We had already decided that Roger would plot the story and I would write it.) We discussed these matters by telephone and mail. No email at that time! Our agent sold the outline of our projected novel to Bantam Books. Once I began writing the story, I didn't talk with Roger again until I had a draft and revision finished. Roger than took over and did the final polish and took care of any questions the editor had. We worked together very well in this way. We had similar interests and liked each other's work. It was a very pleasant way to work.
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